But when Marcus points out his white wife to Mia, who offhandedly blurts, "Makes sense!" before vanishing in an Uber, he's suddenly left doubting the legitimacy of the view.Ī number of series try to speak to the specific weight people of color carry into the dating pool, but the fact that this show deftly maintains its comedic buoyancy while making Marcus' search for love stand apart in a way that's captivating and ultimately heartening is noteworthy. He's one of the very few Black guests at Darby's 2016 wedding reception, which is where we meet him. When fellow guest Mia Hines (Jessica Williams) commiserates with Marcus about what that feels like, he feels seen.
Marcus, in contrast, must always consider his Blackness because New York and the rest of the world remind him of it at every turn. Chidi and Eleanor came together in that show's version of the afterlife, a place where race never factors into their relationship. Viewers already know Harper from "The Good Place," where his anxious, indecisive philosophy professor Chidi Anagonye fell for his supposed soul mate Eleanor Shellstrop, an uncultured mess played by Kristen Bell. And this means different things for people like Marcus than it does for Darby, delineated for the viewer by Keith David's professorial narration. Nevertheless, in the main "Love Life" preaches the wisdom of figuring ourselves out before we try to weld our lives to other people's. Eventually she does – because if she didn't, it wouldn't be a true rom-com. Some of her friends embrace adult responsibility more easily than others, and each accepts this doesn't necessarily require them to find their person. Life changes for all of them over the course of a few years, and not always for the better.
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Surprise, surprise – this partly informs her low expectations of the men to whom she's attracted.įording those rapids by way of a TV series instead of a movie allows co-showrunners Bridget Bedard and series creator Sam Boyd to shove us face first into Darby's gritty frailty along with the psychological muck dripping off her nearest and dearest. Kendrick's Darby Carter still ticks the usual boxes of a rom-com heroine, in that she comes from a solidly upper middle-class upbringing and has a challenging relationship with her mother. Season 1 confirms that reputation, although several Millennial-appropriate twists change things up from the Julia Roberts and Renee Zellweger eras. On the whole, however, we're conditioned to expect to follow someone like Anna Kendrick (who also executive produces the show) on some marshmallow-flavored journey through singlehood that ends in a version of contentment. Sure, a few feature Black casts and a couple of box office bangers place Jennifer Lopez in the driver's seat. Rom-coms are a white woman-centered genre. RELATED: What William Jackson Harper wants viewers to take away from "Underground Railroad" And it is this part of the show's sophomore reset that transforms it from an enjoyable, frothy romantic comedy into an engaging piece of societal analysis. In the installments that follow he resets his expectations and leaves emotional wreckage in his wake as he desperately tries to figure out who he is and what he wants.
That's how long it takes for William Jackson Harper's Marcus Watkins to slide from comfortable marital stability into a whirlpool of disastrous hookups – none of which, to be clear, involve pegging. (As far as we know.) But this only somewhat fits the action in its first three episodes. To describe these new "Love Life" episodes as its Cialis with Red Bull season would be a simple, cheeky joke. "You don't have the cholesterol to be out here," he cautions before dropping the line that sent giddy readers stampeding to Google: You don't wanna be out here," Missouri shared, kicking off a red flag parade warning soon-to-be-divorced men to get used to concepts like turmeric and "chasing Cialis with Red Bull." Presumably the second season of "Love Life" was conceived, written and shot before August, when 40-year-old Alabama pastor Solomon Missouri dropped this year's definitive State of the Single Life Twitter thread.
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